The Reviews are Rolling in for Victor Victoria at the Metro Theatre

With our contest closing at midnight for tickets to Victor Victoria at the Metro Theatre, I thought I’d share some of the reviews rolling in for Vancouver’s Premiere of this entertaining musical and the return of Jeff Hyslop to the Vancouver stage.  But first, be sure that you enter to win a pair of tickets to the musical:

  • Here on Being Emme (contest closes at midnight TONIGHT, March 18th, 2012), and
  • Roamancing (contest closes at midnight on Wednesday March 21st, 2012).

 

Victor Victoria plays at Vancouver's Metro Theatre, March 17th – April 7, 2012.

 

The Interviews …

What do you do when you’ve done it all? If you’re triple threat Jeff Hyslop you look for projects that excite you, like Metro Theatre’s upcoming production of Victor/Victoria.  And if you’re director Mark Carter, you realize size sometimes does matter.

“It’s all about the script and this is a quality script.  I didn’t hesitate,” explained Hyslop (pictured right with director Mark Carter).  “It was perfect timing too as I was moving back to Vancouver and it wasn’t a starring role so the weight of show wasn’t going to rest on my shoulders.”

What does one limit themselves to asking when doing an interview with one of the most prolific and successful Canadian Triple Threats, actor, singer, dancer, the notable Jeff Hyslop? (Actually, “Quadruple” as he is also a director.) My challenge was to direct the myriad questions I had and the stories he had into the short, but time-stopping two hours we shared. Publicist Cheryl Hutcherson set the scene comfortably and we soon sailed into the creative, exciting, rich world of Jeff Hyslop.

 

Opening Night Reviews …

With Opening Night, just last night, the Reviews are only just coming in, so I will be updating this section, as I see more.

It’s always a full house when the yearly musical is presented at Metro, and the cast and crew deserved the proplonged standing ovation on opening night.

Filling in for an injured Jeff Hyslop, understudy Seth Little was opening night’s highlight as Metro Theatre presents the stage musicalVictor/Victoria. …  Almost at par with Little’s wonderful performance Saturday night was the scene-stealing Karin Inghammar as Norma Cassidy who milks every ounce of fun from the ditzy blonde moll as she drops malapropisms like bonbons across the stage.

 

Catch Victor Victoria at the Metro Theatre in Vancouver from March 17th – April 7, 2012, with performances on Wednesdays to Saturdays at 8pm and two Sunday Matinees on March 25 & April 1 at 2pm. Tickets can be purchased here.

 

Win a Perfect Vancouver Date Night at Victor Victoria at the Metro Theatre

One of the downfalls of having been on the road these past few months has been having to turn down all of the lovely Vancouver Theatre tickets.  Fortunately Alyzee Lakhani has been able to attend in my stead and I’ve been able to experience all the great theatre I’ve been missing through her prose, or at least I was until she hit the road too (she’s in Mozambique, so stay tuned for her tales from there on Roamancing). Our loss, however, is your gain, as we’ve asked that our tickets be given to a lucky reader here and on Roamancing.  And a loss it is for us, as this next musical would have very much tickled my fancies.

So what is the musical you ask?  Victor Victoria at the Metro Theatre, based on the 1982 musical comedy film by Blake Edwards (adapted from the 1933 script of a German film by Reinhold Schünzel), which I am sure there are a few in Vancouver’s Arts Community that could relate to the premise behind this story.  You see Victoria (played by Sylvia Zaradic) is a struggling performer looking for her big break. On the advice of Toddy, a middle-aged gay performer, Victoria takes on the real life role of Count Victor Grazinski, a gay Polish female impersonator.  Why you ask (or at least so you asked in my head)?  To get an agent and her big break, of course, and that is exactly what she does.  Only, as I am sure you can imagine, it is not all that smooth sailing playing the part of a man, when you become the bed ‘fellow’ of a known gangster.  Bring on the conundrums, misunderstandings and delightfully ridiculous!

 

Sylvia Zaradic and Jeff Hyslop, as Victoria / Victor and Toddy

 

Now, if this hasn’t perked your curiosity, just wait until you hear who is playing Toddy!  None other than Jeff Hyslop, the quintessential Phantom of the Opera from the traveling Canadian Production!  Also known, by those of you close in age to me, as Jeff the mannequin in the children’s show Today’s Special.  The Metro Theatre puts on great musicals, but with Jeff Hyslop in the cast, this is one musical not to miss.

So how do you win the tickets?  We have a pair of tickets to giveaway here and a pair to giveaway on Roamancing (stay tuned for that giveaway in a day or two) with your choice of Wednesday March 28 or April 4th.  To enter:

  • Comment below with something crazy you have or would do for your dream job;
  • The Deadline to enter is Sunday March 18th, 2012 at midnight PST.

To be entered a second, third and fourth time:

  • Tweet this post with me, @EmmeRogers, @MetroTheatre and #VancouverTheatre somewhere in the tweet, so I see the tweet;
  • Share this post on facebook and include @Roamancing in the text when you post it (this should link Roamancing’s facebook page, so I’ll see the post); and/or
  • Share this post on G+ and include @Emme Rogers in the text when you post it (this should alert me on G+ of your post).

I shall pull the name of one lucky winner from commenters, tweeters, facebookers and G+ers, and announce the winner on Monday March 19th.  Very much looking forward to making somebody happy!

Oh, and if sadly you don’t win, the play is running at the Metro Theatre in Vancouver from March 17th – April 7, 2012, with performances on Wednesdays to Saturdays at 8pm and two Sunday Matinees on March 25 & April 1 at 2pm. Tickets can be purchased here.

Kisses,

Emme xoxo

Vancouver Theatre Giveaway: Julius Caesar at Studio 58

For those of you that have been reading here for awhile, you’ll know that we have a huge love of the theatre, and that when I’m not attending the latest piece of theatre in Vancouver, Alyzee Lakhani is. One of our favourite ways to spend an evening! Well, for the last week, we’ve been regrettably having to turn down all of those lovely theatre invites, with Alyzee in Mozambique and me (hopefully) road tripping to Savannah, Georgia.

The upswing of Alyzee and I missing out is that Langara College’s Studio 58 has decided to extend our two tickets to you delightful people in a little theater giveaway for their latest play.  I’ll get to that in a minute, as first I’ll fill you in on the play.

 

Photographer: David Cooper

The play is Shakespeare’s Julius Caesar, but Julius Caesar with a twist, a Julius Caesar gender bender.  You see, when casting for the play, Director Scott Bellis decided to break with tradition and offer the parts of Caesar, Brutus, Cassius and Octavius to women.  I must say this very much tickles my fancies, as traditionally the parts of women in Shakespeare’s play would have been played by men.

For those of you not familiar with Julius Caesar, it is Shakespeare’s masterpiece of political power-play and manipulation, examining the conflict between one person’s ambition and the good of the state, all set in a life-and-death struggle for control of Rome. As Director Scott Bellis puts it, this is very much a tale involving traditional male roles and a story of ‘honourable men’. “In this alternate telling, we are discovering what it means for a male Mark Antony to avenge a female Caesar; what a same-sex marriage looks like in the house of Brutus;  and how being a ‘man’ can say more about your social status than your gender in this very different vision of Rome.”  Sounds fascinating!  Would love to see how all of this unfolds.

And if you are curious about Studio 58, you can read of Alyzee Lakhani’s most recent experience there with The 13th Chair.

So the Giveaway.  We have a pair of tickets to giveaway here and a pair to giveaway on Roamancing (stay tuned for that giveaway in a day or two) with your choice of Wednesday February 8th at 8 pm, Thursday February 9th at 8 pm or Saturday February 11th at 3 pm.  For the giveaway here, to enter:

  • Comment below with which Shakespeare character, of the opposite sex from you, you would love to play;
  • Deadline Thursday February 2nd at midnight PST.

To be entered a second, third and fourth time:

  • Tweet this post with me, @EmmeRogers and #VancouverTheatre somewhere in the tweet, so I see the tweet;
  • Share this post on facebook and include @Roamancing in the text when you post it (this should link Roamancing’s facebook page, so I’ll see the post); and/or
  • Share this post on G+ and include @Emme Rogers in the text when you post it (this should alert me on G+ of your post).

I shall pull the name of one lucky winner from commenters, tweeters, facebookers and G+ers, and announce the winner on Friday February 3rd.  Very much looking forward to making somebody happy!

Oh, and if sadly you don’t win, the play is running at Studio 58 February 2nd – 26th, Tuesdays – Saturdays at 8 pm and Saturdays & Sundays at 3 pm, and tickets can be purchased here.

Kisses,

Emme xoxo

Fighting Chance Produces: A Funny Thing Happened on the way to the Forum

It’s always kind of a thrill to see what Fighting Chance Productions will pull out of their bag next. This ambitious little theatre company (not so little, really, with nearly 20 in this cast alone) seems to bring so much energy and invigorating young talent to each of its performances.  A Funny Thing Happened on the Way to the Forum is no different — the performance is a musical comedy that pulls out all the stops in delighting the audience.

Here’s some background on the play itself: Forum (the book) was written by Burt Shevelove and Larry Gelbart, with music and lyrics by Stephen Sondheim.  The musical was inspired by the farces of ancient Roman playwright Plautus, who wrote some of the earliest surviving works of Latin literature (fast facts  – courtesy Sage Wiki).

 

Mike Wild (Hysterium) and Ryan Mooney (Pseudolus)

 

That would explain the the abundance of classic comic devices that the Forum uses so dexterously.  For anyone wanting to see cases of mistaken identity and mad coincidence seamlessly taken to comical extremes, A Funny Thing Happened on the Way to the Forum is the play for you.

The actors’ exuberance in the cozy Jericho Arts Centre is really palpable, especially during the Forum‘s first feel-good little number, where all the actors, in a whirlwind of song and dance, directly address the audience promising “Something for Everyone . . . Comedy Tonight!”. The song and the actors transparently and eagerly declare that the Forum is meant to make you laugh (I am not ashamed to say I chortled).  I say this performance is heartwarming because the way the cast looks right into the audience’s eyes as they perform this song, with big, warm smiles on their faces — their desire to entertain and make us laugh is so genuine, you can see that it comes from way under their makeup, makeshift ancient Roman wear and glittering false eyelashes.

 

Peter Stainton (Sennex) and the Courtesans.

 

I love how the character’s names reflect their personalities too — I read somewhere this is also a feature of classical comedy. “Pseudolus” (played by Ryan Mooney) is a loveable scoundrel who can weave fabulous lies to talk himself out of any situation — a talent he uses to try and buy his freedom by arranging a love affair with his master and the girl next door; while “Hysterium” (played by Mike Wild) is a bundle of nerves who grows more and more neurotic as the events of the play threaten to blow his cover. A personal favourite name/character of mine in this play is “Miles Gloriousus” – captain, conqueror, bride-buyer, narcissist (played by Matt Ramer). I could learn a few moves from the names of the courtesans (and the talented courtesans themselves): in the above picture, (left  to right) are Gymnasia (played by Ranae Miller), Vibrata (played by Kiki Lipsett), Titinabula (played by Sable Strub), the Geminae (played by Rebecca Friesen and Jennifer Kuhl) and Panacea (played by Brittany Cairns).

 

Cameron Dunster (Hero) and Elyse Maloway (Philia)

 

The Jericho Arts Centre is perfectly small for this spirited play: much of the humour comes from the characters’ confiding in or addressing the audience like an old friend, involving them in the story — I particularly love this kind of theatre.

I recently learned that the cast throws in funny one-liners that weren’t in the script, as some friends that went after opening night notified me of new jokes in the play that I hadn’t seen. While I feel a little jealous having missed these, that also explains why the humour in the play comes across as spontaneous, and is all the more hysterical for it.

Without further spoilers, you can see Fighting Chance Productions A Funny Thing Happened on the Way to the Forum at the Jericho Arts Centre until October 22nd. Shows are at 8 p.m. from Tuesday through Saturday, with matinees at 2 p.m on Saturday and 3 p.m. on Sunday.

Bravo to the cast, crew, and band for all their hard work in putting together this play.  And a big congratulations to Cathy Wilmot for directing this wonderful show!

 

 

 

 

Making a Killing at the Metro Theatre

I have a thing for snowy winters — for the idea of them, at least. I think they do wonders for the romance and intrigue of a story. The crunch of boots in snow, the roaring fires, the deliciousness of warmth finally received and all the possibilities of closeness that come with snowstorms, hot cups of cocoa and cabins in Vermont make fertile ground for a cozy little romance.

On the flip side, snowy winter settings also make for chilling murder mysteries: what with the blackouts, the snowed in vehicles, the long quiet nights, those unfamiliar footprints in the snow and let’s not forget that lone, ominous axe that’s sitting in the corner (presumably for woodcutting)… throw in a shady character with a motive and that’s enough to have me nibbling at my fingernails and shivering in my seat.

The Metro Theatre‘s production of Making a Killing by John Nassivera is a pleasant mixture of the above two scenarios. It has the coziness of an isolated wooden cabin in Vermont, but also the chilly bitterness of a murder in the offing.

KATHRYN STEWART and BLAINE ANDERSON in Metro Theatre's production of MAKING A KILLING by John Nassivera. Photo by BRIAN CAMPBELL.

The characters are the sort that keep you guessing — those  surrounding the protagonist are alternately sweet and then seditious — they appear to genuinely care for him, a few lines later are greedy for their cut of his profits. It’s a play where the blurry moral scruples make interesting things happen — like a playwright faking his own death with the help of his friends, only to discover that perhaps his friends aren’t really faking…

Making a Killing has a funny take on the popular maxim that artists are only ever appreciated after they’re dead. Its characters paint entertaining pictures of showbiz stereotypes in the figures of the narcissistic (over)actress (played wonderfully by Kathryn Stewart), the smarmy, opportunistic producer (played by Joseph Balint) and the playwright’s results-driven agent (played by Anita Reimer) who talks-a-mile-a-minute, drives a hard bargain and can’t be fooled. Reimer’s character shows increasing amounts of depth as the play goes on, and her growing connection with the dry, witty, existentially fraught protagonist (Blaine Anderson) becomes the play’s one true thing. All four actors did a great job — I especially enjoyed Anita Reimer’a outrageously entertaining New York accent — and I’m sure their performances have only gotten funnier and more nuanced since opening night last week.

The set, sound, lighting and costume design were phenomenal and deserve a special mention– I really did feel like I was in a lonely, well-furnished cabin in Vermont, and that there really was a snowy driveway offstage. Bravo to Don Briard, Les Erkine & Heather Stewart, Miles Lavkulich and Val Palosaari — and anyone else who helped with the ambience — for pulling this effect off so well.

Photo by BRIAN CAMPBELL KATHRYN STEWART and BLAINE ANDERSON in Metro Theatre's production of MAKING A KILLING by John Nassivera (Oct 1 - 29, 2011)

Congratulations to Alison Schamberger for directing such an enjoyable performance!

You can see John Nassivera‘s Making a Killing at the Metro Theatre at 8 p.m. until October 29th, with a 2 p.m. matinee on Sunday Oct 23.