A Van Sexy Date Pick: Never Shoot A Stampede Queen

Never Shoot a Stampede Queen on the front page of the Vancouver Sun.

Mark Leiren-Young holding up a copy of The Vancouver Sun, featuring his play Never Shoot a Stampede Queen on the front page! Way to go Mark!

I feel pretty fortunate to have met some gosh darn cool, interesting and talented people in my life, many of whom I am happy to call friends.  And you know I find nothing sexier than an interesting and creative mind, attached to a big heart. One such sexy beast in my life is Mark Leiren Young, whom if you have been following the arts media in Vancouver as of late, you’ll know has been up to some pretty cool things.  You see Mark has just released his latest memoir, Free Magic Secrets Revealed, on his late teens (more on that later, as I only just began titillating the synapses with it earlier on this flight – yes, I am writing this from several thousand feet above the Earth) and had the play based on his first memoir, Never Shoot a Stampede Queen hit the Granville Island Stage at the Arts Club this past week!

I have been fortunate to attend the play (about Mark’s experience writing for a small town paper in Williams Lake in his early 20s) on a couple of occasions, along with a couple of the post-Show Talk Backs, each of which have been a different experience, and have allowed me to take in different things.  Now I imagine this play is a very different experience for everyone that sees it, depending on their relationship with the content – whether seeing it:

  • with fresh, green eyes,
  • as a fan of the book,
  • having lived in Williams Lake,
  • having lived in another small town,
  • having worked as a reporter,
  • knowing Mark,
  • being a fan of Zach’s (the one man show – and star of the Buddy Holly Story) … etc.

You get a little nibble of these different perspectives during the Talk Backs, which I find most interesting, as they are always so very different, depending on that night’s audience’s connection to the story … always bringing out new stories from Mark, TJ Dawe (the director & dramaturge) and Zach Stevenson.

 

Mark Leiren-Young and Zachary Stevenson of Never Shoot a Stampede Queen

A #StampedeQueen Talk Back with Mark and Zach.

 

For me, I watched with the perspective of a close friend and one time housemate of Mark’s, and as a fan of the novel, Never Shoot a Stampede Queen. I laughed as saw so many little Mark-ism that TJ and Zach had put into their portrayal of this much younger version of the Mark I know and love, from the black jeans, to his slightly awkward and adorable mannerism around women he finds attractive, to nerding to his comic book icons (something that I think only Mark would do in a red neck town, like Williams Lake) to his extreme coke obsession.  I still remember coming downstairs to the living room, after Mark had pulled one of his many late nighters on a deadline, to find the couch cushions stuffed with his coke empties and junk food bags.  I was fascinated to see how TJ had dramaturged the story to better suit it to the stage, and like any good Canadian that has wandered from the city to the wilder side of our country, I smiled knowingly at the array of characters, both in how Mark perceived them and in how they perceived Mark.  Fondly remember a few such small town British Columbia days in my past.

So needless to say I enjoyed the story each time. Zach’s performance, however, was much better on my second visit to the play.  You see I first saw it on Opening Night, when the technical crew botched the sound effects, throwing Zach’s performance off, and understandably so. Ironic, given the content of Mark’s latest memoir, although it might still be too early for that chuckle. When I finally saw Zach play the role, of not only Mark, but at least 10 other characters, and transition from each so effortlessly and believably, I saw why this man has such a fan following.  He was brilliant, and as a one man show made this production way more enjoyable then watching 10 other actors on stage with him, although there certainly were 10 other characters on stage with him.  Bravo Zach!

 

Zachary Stevenson in Never Shoot a Stampede Queen

#StampedeQueen Zachary Stevenson

 

So do I recommend you catch Never Shoot a Stampede before it closes in Vancouver on May 25th, 2013?  Absolutely – it is a must see this week.  Witty, charming and cleverly done.  Am I saying this because Mark is a good friend of mine?  I don’t think so, as I honestly enjoyed the play and talk backs more and more with each subsequent time I attended, and started to appreciate all the brilliance that TJ and Zach had put into it, making it their own too, aside from simply relishing in the moments that a friend can’t help but laugh at.

Catch Never Shoot a Stampede Queen on the Granville Island Stage at the Arts Club now until May 25th, 2013.  You can get your tickets at this link and learn more about the play and novel at this link.

Enjoy!

Win Vancouver Tickets to Never Shoot A Stampede Queen

I don’t know how many of you remember this man from our #ReadingIsSexy Calendar

 

Mark Leiren-Young and Emme Rogers for Reading is Sexy

Anyone know this sexy reader?

 

His name is Mark Leiren-Young, and the book he is reading is his second novel, Green Chain.  He has just released a new novel, Free Magic Secrets Revealed, but I am not here to discuss either of those books today, but rather his first novel, Never Shoot A Stampede Queen.  I don’t know if you’ve read it, but if not, do.  It’s terribly funny, and even won a Leacock Medal for humour.

I am all charged up about Never Shoot a Stampede Queen, because Mark is also a playwright, and has recently turned this book into a play … a play which is premiering in Vancouver this week!  Looking forward to seeing it, as I love the novel!

Zachary Stevenson in Never Shoot a Stampede Queen

Zachary Stevenson in Never Shoot a Stampede Queen

Mark has kindly given me a pair of tickets to the Show to giveaway to one lucky reader here.  Before I give them away I will share the playbill on the Show first:

Zachary Stevenson (the Arts Club’s Buddy Holly) stars in the stage adaptation of Mark Leiren-Young’s Never Shoot A Stampede Queen — winner of the Leacock Medal for humour. This all-new solo show follows the adventures of a big city (Vancouver) boy who arrives in the crime capital of BC (Williams Lake) and discovers stranger news, quirkier characters, and better friends than he ever could have imagined. Directed and dramaturged by TJ Dawe (hot off his acclaimed solo show Medicine), and adapted for the stage by Leiren-Young (known to Arts Club audiences for Easy Money and The Year in Revue). For more info visit http://stampedequeen.ca/.

So … !!!  Here’s how to win the pair of tickets to the Preview Night in Vancouver, Thursday May 9th, 2013 at 8 pm on the Granville Island Stage:

To enter to win, simply comment below with a small town moment you’ve experienced, by Tuesday May 7th at 9:30 am. I will randomly pull the name of a winner from the entries Tuesday morning, May 7th.

For a second, third and fourth entry into the contest, share this contest on twitter, facebook, and google+ by sharing something like:

Win tickets to Thursday’s Preview of #StampedeQueen in #Vancouver from @EmmeRogers  ~ http://ht.ly/kKFLG

Main thing for the social media entries to be valid, you must hashtag #StampedeQueen, include the link to this post, and use my handle to link me into the conversation (so that I see your entry).

Looking forward to your responses!  This should be a fun Show!

Kisses,

Emme  xoxo

PS And if you don’t win our tickets, you can still catch the Show on the Granville Island Stage from May 9th – 25th.  I’ll be sure to tell you all about it, as soon as I see it.

Happy (belated) St. Patrick’s Day!

I’m a Canadian Mutt ~ meaning that my ancestry comes from a hodge podge of different nations. Proudly included within that mix is a wee touch of the Irish, and the sense to know that green beer is just wrong.  After nearly ending up in Ireland this past autumn, I pined for that Irish experience this St. Patrick’s Day.  I thirsted for a real Guinness and my toes were tapping ready to kick out at any moment into a jig. I was in Vancouver though, and had yet to actually raise a pint in pub in Ireland.  All was not lost, however, as Gastown‘s The Irish Heather, did at least offer me as authentic an Irish Pub experience, as could be found this far West of Ireland ~ might have been the North American version of the Guinness, but their was no fake green beer to be had, plenty of good looking Irish gents in their Sunday best, and some seriously talented Irish Dancers.  Just see for yourself …

 

 

… and being Canada, we did need to add a bit of our own Irish flavour to the day, with Great Big Sea, as really, what would a Canadian St. Patrick’s Day be without them.

 

 

Happy (belated) St. Patrick’s Day to all hiding a wee bit of the Irish in their soul!

Mother Teresa is Dead from The Bleeding Heart Collective at Pacific Theatre

Coming away from Pacific Theatre‘s latest show, Mother Teresa is Dead, I felt almost overwhelmed. A guest production by The Bleeding Heart Collective, Mother Teresa is Dead is an intense, powerful drama wrought with emotion. I had just about no knowledge of the storyline before seeing the play last week, and as a result I had a surprisingly emotional response throughout the play, largely in part due to the outstanding four actors. With gripping performances, big questions, and no easy answers, Mother Teresa is Dead is a powerful play, written by Helen Edmundson, that makes you reconsider right and wrong.

 

Julie McIsaac and Katharine Venour as Jane and Frances. Photo by Ron Reed.

 

Helen Edmundson’s play opens with a Londoner, Mark, arriving in India in search of his missing wife. He is clearly frustrated and confused by his wife, Jane’s disappearance, who left Mark and their five-year-old son to work at a shelter in Madras. When Mark finds her, she is staying at the house of an expatriate Briton, Frances, and has clearly been through some kind of crisis. What follows is a difficult reunion between husband and wife, and a heated confrontation between Mark and Srinivas, the owner of the shelter who is trying to convince Jane to stay.

 

Sebastian Kroon and Julie McIsaac as Mark and Jane. Photo by Ron Reed.

 

I found Mark so unlikeable at first, with his anger, his irritation, his yelling. But as the layers pulled back, we learned that Jane abandoned him and their son. Soon, his anger felt justified. I began to sympathize with Mark. While he was harsh and merciless in his anger, I understood it. However, I found myself unable to blame Jane completely as she had just gone through some traumatic incident and did not appear entirely well. In addition, Srinivas and Frances, who first appeared charming and sweet, were later revealed to have their own skeletons. None of the characters were what they seemed. Yet Mother Teresa is Dead never once became apologetic or preachy; it simply asked some very big questions about life, moral conscience, and family.

 

Kayvon Kelly and Julie McIsaac as Srinivas and Jane. Photo by Ron Reed.

 

Mother Teresa is Dead is a play that made me think. There were no easy answers and no clear right and wrong. The characters were all so complex and yet each one was trying so hard to do good, or what was best, that I was left with so many questions. Was there a right or wrong? Were all the characters terrible, flawed people? Or were they all good people in a tough situation? Even now I can’t get my head around whether I truly liked Mark, Jane, Srinvas, and Frances and whether they were good people. Mother Teresa is Dead is a play I enjoyed immensely for its strong performances and for how much the characters made me think. That, I think, is always a sign of good theatre: when you’re left pondering the complexities of the characters long after the curtain has dropped.

Congratulations to Kayvon Kelly (Srinivas), Sebastian Kroon (Mark), Julie McIsaac (Jane), and Katharine Venour (Frances) for their superb performances and to director Evan Frayne for a truly thought-provoking and enjoyable show.

 

Mother Teresa is Dead
When: March 1-23, Wed-Sat: 8pm, Sat matinees: 2pm
Where: Pacific Theatre, 1440 W. 12th Ave, Vancouver
Tickets: Buy online

Theatre That Makes You Think: Leave of Absence by Lucia Frangione at Pacific Theatre

There are moments in Vancouver where I am seriously bowled over by the talent we have here.  Opening Night of Leave of Absence at Pacific Theatre was definitely one such night.  Phenomenal, sexy, laugh out loud funny, thought provoking and heart breaking. My date was balling by the end of it.  That is how emotionally charged it was.

 

Leave of Absence by Lucia Frangione at Pacific Theatre until February 14th, 2013

Leave of Absence by Lucia Frangione at Pacific Theatre until February 16th, 2013

 

In fact, he, Ian Alexander Martin, use to write theatre reviews, and Leave of Absence moved him so much that he felt the need to do a mini version of such on his facebook wall:

Thinking of seeing Leave of Absence by Lucia Frangione at Pacific Theatre? DOOOO IT! Emme Rogers took me last night & one of us cried at the end {ahem}. I may be coming down with a cold. Yeah. That’s it. Yeah…

Entirely unrelated: Catholic High School was rough for me…

… followed by an actual review on blog ~ RE:VIEW ~ Leave of Absence by Lucia Frangione with the lead in …

After a long absence from writing a theatre review, this was mostly written because I feel like I’m suffering an emotional hang-over after seeing it last night as Emme Rogers’ arm candy! Powerful, moving, and destined to be produced all over the fucking place. Go now! See this! Now! Don’t wait for final week: go now!

So who is the talent that so inspired Ian and I, and what is Leave of Absence about?  All start with the talent, especially as it allows me to shine a spotlight on a fellow Vancouver writer ~ Lucia Frangione. Lucia is a Vancouver-based writer, actor, and director, who has a reputation for creating thought provoking plays, like Espresso, which I haven’t seen, but have heard about from theatre lovers.  Critic Colin Thomas calls it “one of the best scripts ever produced by a Vancouver playwright.”  It also seems that many of Lucia’s work explores relationships within the Christian Church and finding one’s own spirituality, which certainly makes her a good fit for Pacific Theatre.  What I like about this aspect of her writing is that much of this in her work is questioning, showing the many layers and individuals within such a community, giving no particular answers, just many different perspectives and view points.  And I say this as someone that would call herself spiritual, but not religious.  In fact, I have at times been somewhat critical of organized religion, but then that is the beauty of Lucia’s work – she displays both the problems with organized religions, in her work, and the beauty.

 

The Cast of Leave of Absence by Lucia Frangione

The Cast of Leave of Absence by Lucia Frangione (Craig Erickson, Lucia Frangione, Tom McBeath, and Karyn Guenther), as photographed by Emily Cooper.

 

Now on to the play itself, Leave of Absence …  Leave of Absence is a tale that is exploring relationships (and ultimately sexuality) in the Catholic Church in a very provocative manner, all told from the perspective of a woman.  What this is not, is a tale of the horrors of young boys getting taken advantage of in Catholic Church.  It does explore homosexuality, but rather through the eyes of a teenage girl coming to terms with her own sexuality.  We also explore sexuality through the eyes of a single Mom, a Catholic School Teacher, a recently widowed man, and a Catholic Priest.  For some the perspectives we see, and the ways in which this story of defining relationships and sexualities within the walls of a church that traditionally teaches repression, may be offensive, but for me it was laugh out loud funny, thought provoking, heart-breaking, and touching, with a definite shift between Act One to Act Two from amusing to heart breaking.  These are not superficial or one-dimensional characters, but rather complex ones, just as we all are in real life.  I especially loved Lucia’s depiction of her male characters, which while at first might portray quite a stereotypical light (purposely so, I am sure), we then see their many layers, that help us to better understand why they are behaving as they are.  I especially loved the Catholic Priest, who above and beyond anything else was represented as a man (rather than a man of the cloth), yearning for the fatherly love of a child and the husbandly love of a woman, all while struggling with his own faith and aspects of the Catholic Church that he himself could not and would not support.

While the focal point of the story was that of a teenage girl, struggling with her own sexuality and faith, I have admit that it was her character that I found the least interesting, perhaps because of the hard convictions of youth.  Her story, however, is a powerful one of bullying, and one that is so very important to be heard.  Bullying is not something to be taken lightly and something that as a society we need to put a stop to.

 

Karyn Guenther and Craig Erickson fighting back against bullying, as photographed by Emily Cooper.

Karyn Guenther and Craig Erickson fighting back against bullying, as photographed by Emily Cooper.

 

My accolades to the entire Cast & Crew ~ Maria Russell as Martha, Tom McBreath as Father Ryan, Karyn Guenther as Blake, Lucia Frangione as Greta, and Craig Erickson as Leap ~ Playwright Lucia Frangione, Director Morris Ertman, Dramaturg DD Krugler, Composer Jim Hodgkinson, Set Designer Drew Facey, Costume Designer Sydney Cavanagh, Lighting Designer Lauchlin Johnston, Sound Designer Jeff Tymoschuk, Stage Manager Jethelo E. Cabilete, Assistant Stage Manager Michelle Harrison, Assistant Costume Designer Catrina Jackson, Properties Manager Linsy Rotar, Technical Director Jess Howell, Head Electrician Kougar Basi and Venue Tech Denis Pimm. You told this story brilliantly, with a great deal of respect and care for the content.

I highly encourage you to catch Leave of Absence before it wraps on it’s Premiere run. It runs until February 16th, 2013, Wednesday – Saturday nights at 8 pm, with a Saturday matinee at 2 pm.  Tomorrow’s (Saturday February 9th) matinee should be extra interesting as it is followed by a Panel Discussion on Sexuality, Spirituality and Bullying at 4 pm, featuring Robin Perry of QMUNITY, Denis Benoit of Dignity Canada, and Lucia Frangione the Playwright, and moderated by Caroline MacGillivray of Beauty NightsGet your tickets by clicking on this link.

Enjoy!